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Could a snowy December night have sparked the creation of Harry Winston’s iconic Winston Cluster?

Tatler Hong Kong

更新於 11月26日09:57 • 發布於 11月27日00:00 • Tatler+

The holiday season has always been a time when light takes on special meaning—candles flickering in windows, frost catching moonbeams, diamonds glittering against velvet. It’s a season of wonder, when we notice beauty differently; more acutely. On one such December evening in the 1940s, Harry Winston paused at the doorstep of his Scarsdale estate in New York and witnessed something that would forever alter the course of jewellery designing: a holly wreath hung against his door, its entwined branches laden with fresh snow. In that crystalline moment, Winston saw past the wreath’s rigid structure to the beauty of nature itself—and realised that in jewellery, diamonds, like the glistening leaves, should command the design while their metal settings quietly recede into shadow.

This holiday revelation gave birth to the Cluster setting, a quiet but radical rethinking of diamond jewellery that rejected conventional, metal-heavy frameworks in favour of stones as expressive, almost architectural forms. The technique arranges diamonds at varying angles to maximise light and create three dimensional sculptures that seem to defy gravity—each piece echoing the original wreath’s natural geometry and winter magic.

Ultimate Emerald Signature High Jewellery Timepiece (Photo: Courtesy of Harry Winston)

Ultimate Emerald Signature High Jewellery Timepiece (Photo: Courtesy of Harry Winston)

Winston Cluster Ruby and Diamond Ring and Winston Cluster Diamond Pendant (Photo: Courtesy of Harry Winston)

Winston Cluster Ruby and Diamond Ring and Winston Cluster Diamond Pendant (Photo: Courtesy of Harry Winston)

The Cluster setting is deceptively simple but demands extraordinary precision and craftsmanship. Each diamond, with its distinct cut and shape, is chosen not only for quality but also its unique personality ,then positioned with architectural exactness to optimise sparkle and dimension; the nearly invisible platinum settings play merely a supporting role, focusing all attention on the stones themselves.

Signature pieces include the Wreath Necklace: an interlaced array of stones that echoes natural geometry without losing clarity or brilliance. The process can take over a year to complete—a reminder of the level of dedication required to execute the Cluster technique. Earrings and rings similarly champion jewels that eschew flatness or stereotype in favour of dynamic shape and light.

Oval Sapphire and Diamond Cluster Ring (Photo: Courtesy of Harry Winston)

Oval Sapphire and Diamond Cluster Ring (Photo: Courtesy of Harry Winston)

Emerald and Diamond Cluster Necklace (Photo: Courtesy of Harry Winston)

Emerald and Diamond Cluster Necklace (Photo: Courtesy of Harry Winston)

The resilience and relevance of the Winston Cluster lie in its rejection of uniformity. Whether in monochrome diamonds or coloured gemstones like emeralds and sapphires, the principle remains: stones dictate design, not vice versa. This inversion demands both technical mastery and a deep respect for the intrinsic qualities of gem materials.

Could a snowy December night have sparked the creation of Harry Winston’s iconic Winston Cluster?

More than 80 years later, that December night continues to throw a spotlight on Harry Winston’s creative vision. More than a setting, the Cluster marks an important milestone in jewellery design befitting of festive moments. It serves as a lasting conversation between winter’s beauty and human artistry, where each diamond’s fire recalls that original holiday wonder and every angle reveals new brilliance—reminding us that the most transformative ideas often arrive in the season’s quietest, most magical moments.

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